One central accord — After Swim — leaned three ways: performance, efficacy, control.
Bia knows her beauty where she is looked at — on the dancefloor, on the beach, getting ready for the night. Those places are where the notes come from: the amber and warm musk of the club, the marine and sea salt of the beach, the talc and just-washed skin of getting ready. The families below are those places, turned into scent.
The full set of paints, the notes most distinctive to this consumer first — each grounded in the memory structures behind it. Click any note to open it.
One fragrance for Bia — then three leans on it, each the very same central accord with a single facet turned up and brought to the front: the fresh for performance, the clean for efficacy, the woods for control. Same juice, three settings — not three perfumes.

One fragrance: cool sea-salt and coconut on sun-warm skin, an open sea breeze and bright bergamot over a salt-bleached driftwood — the after-swim glow that stays on her into the night. The three leans below are this one core, each with a single facet turned up and brought to the front.

Bia out of the water and back to the sand, the wedding on the yacht — cool salt, an open sea breeze, a bright citrus.

Fresh from the second shower into the night, dressing for carnival — coconut and warm vanilla on clean skin, a lick of sugar.

Bia with salt still in her hair, sand on her feet, owning the night she walks into — bleached driftwood, warm coconut, dry sand.